Gadjo dilo4/30/2023 ![]() ![]() Gatlif’s direction is fluid and mobile and his pacing deceptively skillful, given the thinness of the material. Serban, too, is immensely likable as the crafty old Izidor. Though warmhearted, they’re portrayed as equally bigoted and xenophobic as the local Romanians, and driven by the emotion of the moment rather than by any fixed moral standards.ĭuris is good as the initially reserved Frenchman, but it’s Hartner who fires the picture, whether mooning some jeering locals, engaging in breathtaking dirty talk with Duris as their passions mount, or spontaneously dancing for him while he dutifully records a song in a bar. ![]() But in its latter stages, as local tensions between Romanians and Romanies are re-ignited, the movie takes time out for more serious social points, not all of them pro-Gypsy. Pic trowels on ethnicity by the cartload, with lotsa sequences of bighearted Romanies singing, dancing, smashing plates and basically missing no opportunity for a barn dance. But just when Sabina and Stephane are about to exchange bodily fluids, things turn nasty with the arrival of Izidor’s son, Adriani (Florin Moldovan), a Gypsy Mafioso just out of jail. She quickly warms to the modest young Frenchman, while Izidor eases his transition into the suspicious, tightly knit community. Speaking only a few words of Romany and zero Romanian, he communicates with the locals via Sabina (Hartner), a lusty young peasant woman who’s returned home from a bad marriage. Next morning, Stephane becomes an object of curiosity in the community, and is immediately dubbed a crazy gadjo (stranger, or outsider). Arriving in a village at night, he falls in with an old drunk, Izidor (Izidor Serban), and ends up sleeping under his roof. Setting this time is wintry Romania, whither arrives young Parisian Stephane (Romain Duris), obsessed with tracking down a legendary folk singer, Nora Luca, whose voice he carries with him on a tape. “Stranger” is a satisfying conclusion to everything he has to say on the subject, as well as his smoothest movie to date. He is looking for the singer Nora Luca, whom his father had heard all the time before his death. It's a rewarding experience to go along with this crazy film and become, just for a little while, part of another community, part of another way of life.The French-based helmer, of Algerian and Gypsy descent, has veered from the bleak and uncompromising to the colorful and exotic in his various depictions of Romany life. Stphane, a young French man from Paris, travels to Romania. Playing against such reality could be a challenge but Romain Duris just sort of fits into this colourful world so easily, as does Rona Hartner. Reviewed by Peter Calder Cast: Romain Duris, Rona Hartner, Izidor Serban Director: Tony Gatlif In the third part of an informal trilogy which began with Les. But it's rich in details too - Izidor's gypsy tribe are wary of this stranger, they worry that he's going to steal their women or their chickens. Izidor is the core of the film, it's really his story we're witnessing, and he's a wonderful film character. ![]() The film is rich in language - gypsy love talk is pretty direct, their casual insults are colourful in a sexually explicit way - and it's rich in humanness. And while Tony Gatlif celebrates gypsy life and music he exposes their plight as outsiders in Romania with subtlety and compassion. A sophisticated Parisian (Romain Duris) falls under the spell of the exotic, earthy Gypsy community while searching for the Gypsy singer his dead father adored. Gadjo Dilo is a very seductive film, because you feel what you are seeing has a truth to it that goes beyond normal fictional filmmaking. Stephane finds himself being seduced by the gypsy zest for life, especially when he meets Sabine - Rona Hartner. He makes it impossible for Stephane to leave. Izidor's son has just been sent to gaol for six months so it's natural for Izidor to want to adopt Stephane whom he takes home almost like a prize possession. He meets up with a drunken gypsy Izidor - Izidor Serban - a man of extreme emotions with an unbounded capacity for joy, for anguish and for vodka. It's midwinter in Romania and Stephane - Romain Duris - is wandering through remote regions of the country trying to find a singer which his father had recorded on tape. With Gadjo Dilo, he once again enters the world of gypsies. The title means Crazy Gadjo non-Gypsy in Romani. ![]() When you're a filmmaker like Tony Gatlif who made Latcho Drom you're already halfway there because he takes a reality and inserts a fiction. Gadjo dilo is a 1997 film, directed and written by Tony Gatlif. Movies attempt to create reality for us, the audience, out of fantasy. ![]()
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